Sramana Majumdar "Violence, Identity and Self-determination:
Narratives of conflict from the Kashmir Valley"
4:15 PM, Monday 18 Nov
Room 239, BYC
Bryn Mawr College
Exposure Index Tired of paper and pencil questionnaires about integration and intergroup contact? Try the new and improved EXPOSURE INDEX (click tab above on this page).
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This article comments on the current anti-drone backlash in Germany. It suggests that public opinion fails to differentiate between armed and surveillance drones. The article further suggests that opinion of drones as a whole has suffered from the criticisms of recent U.S. drone policy.
An interesting facet of this case is that the RAF base did not launch drones – it merely held the facilities that remotely controlled them. This part of the war can be managed from thousands of miles away. Distinctions between deployed abroad and at home may well be blurring.
While Israel may be the first to reach this level of drone saturation, it is unlikely to be the last.
This is the official response to this article from the Guardian, published and posted on this website three days previously.
The killing of Anwar al-Awlaki and his son was a controversial action given both were U.S. citizens. While al-Awlaki was a major figure in al-Qaeda, his son was not. The Judge in this article is particularly disturbed by apparent attempt to bypass the judicial check on executive power. This continues the conflict over control and use of drones.
The Curiosity rover is a remote controlled vehicle with autonomous modes and collision avoidance (both necessary due to the 4-24 minute lightspeed delay between here and Mars).
Notable in that the drone was a retrofitted F-4 Phantom used for live fire practice, instead of the more typical purpose-built UAVs.
Saeed al-Shihri died of injuries from a drone strike.
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New book by Asch Associate Director for Conflict and Visual Culture Jonathan Hyman: “The Landscapes of 9/11: A photographer’s Journey” Published by the University of Texas Press the book features 100 of Hyman's photographs and six critical essays that depict and discuss the emotional aftermath of the September 11, 2001, attacks -- a time when people from all walks of life created and encountered memorials to those who were murdered. Vernacular art appeared almost everywhere—on walls, trees, playgrounds, vehicles, houses, tombstones, and even on bodies. This outpouring of grief and other acts of remembrance impelled photographer Jonathan Hyman to document and preserve these largely impermanent, spontaneous expressions. This book, a unique archive of 9/11 public memory, is the result of his compiling a collection of 20,000 photographs, along with field notes and personal interviews. For more information about the book or to purchase it, visit the book's page at Amazon or Facebook.
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