Cultural representations « Solomon Asch Center

‘Unite against the parasites’: how do white supremacists exploit antisemitism to mobilize non-white groups? April 14, 2025 Ariel Koch a Lauder School of Government, Diplomacy, and Strategy, Reichman University institution, Herzliya, Israelb International Institute for Counter-Terrorism, Reichman University, Herzliya, Israelc Institute for the Study of Global Antisemitism (ISGAP), New York City, USADr. Ariel Koch is a lecturer at the Lauder School of Government and a Research Fellow at both the International Institute for Counter-Terrorism (ICT) at Reichman University and the Institute for the Study of Global Antisemitism and Policy (ISGAP). His research focuses on transnational extremist movements, hate groups, and violent digital subcultures, with particular emphasis on the convergence of diverse forms of violent extremism. Dr. Koch teaches undergraduate courses and regularly lectures to policymakers, security professionals, academic audiences, and educational institutions in Israel and internationally.
The base: an analysis of recruiting, vetting, and motivations of potential members March 28, 2025 Rebecca A. Wilson Katherine Kountz John P. Hendry Allison Betus Mor Yachin Dror Walter Michael Loadenthal Anthony F. Lemieux a Department of Psychology, Georgia State University, Atlanta, GA, USAb Department of Communication, Georgia State University, Atlanta, GA, USAc Transcultural Conflict and Violence Initiative, Georgia State University, Atlanta, GA, USAd School of Public and International Affairs, University of Cincinnati, Cincinnati, OH, USA
Stabilizing post-conflict states: evaluating the impact of resources December 31, 2024 Rula Jabbour Michelle Black Abigail Cawley a Department of Political Science, Nebraska Wesleyan University, Lincolnb Department of Political Science, Arts and Sciences, University of Nebraska at Omaha, Omaha, NEc Amnesty International USA, Human Rights Development Department, Lincoln, NE
The science of zero-sum thinking: a scoping review of 10 years of empirical research December 30, 2024 Lucas Heiki Matsunaga Jacob Petersen Toshiaki Aoki Cristiane Faiad a Department of International Environment and Resources Policy, Tohoku University, Sendai, Japanb Center for International Education, Iwate University, Morioka, Japanc Department of Clinical Psychology and Culture, University of Brasilia, Brasilia, Brazil
Psycholinguistic signals of terrorist attacks December 24, 2024 Natasha K. Mather Michael D. Young Shilpa Hanchinal a Department of History, University at Albany, Albany, NY, USAb Department of Emergency Management and Homeland Security, University at Albany, Albany, NY, USAc Leadership Analysis and Influence Operations Laboratory(LA/IO), Albany, NY, USA

Drone rock: Robotics company creates a flying, musical band

What this performance lacks in artistic merit or musical complexity, it makes up for in the technical achievement of delicately coordinating all the flying machines. A sign of the technology’s maturity may well be performances in which the art is more important than the programming.

Drones in Culture: Dilbert

This cartoon neatly combines fears on safety and corporate spying with a reference to an earlier era’s air technology fad.

Yemen’s New Ways of Protesting Drone Strikes: Graffiti and Poetry

Drones have become a major issue in Yemen, as their artistic pursuits are reflecting. Based on the article’s main image, the predator drone is becoming strongly symbolic in the region.

Drones in Culture: Blondie

The Blondie Comic strip for 24 Nov. 2013 has a hapless employee under constant monitoring by a miniature Predator drone. While the Predator design is clearly artistic license, this strip taps into a common worry about surveillance, lack of privacy, and the damping of free speech.

Drones in Culture: Colbert Report (13 Nov. 2013)

With his trademark sarcasm, Colbert covers drones. The Amnesty International/Human Rights Watch report on possible war crimes is touched on, followed by an investigation into Deer Trail, Colorado – the town that considered a ‘drone hunting license.’ Given Colbert’s popularity, both of these issues may be approaching common knowledge.

Drones in Culture: Zits

Drones in Culture: Marmaduke

A surprisingly neutral and apolitical appearance.

Unmanned Vehicles in Fiction: “Agents of S.H.I.E.L.D.”

In the pilot episode of Marvel’s new TV show, the protagonists use a fleet of mini-quadrotors to inspect and map a crime scene. While the miniaturization and capabilities shown are beyond current technology, the idea of using unmanned vehicles to map crime or disaster scenes is not.

Elysium (2013)

In Blomkamp’s Science Fiction parable of economic inequality, unmanned vehicles of all kinds are used to control, police, and oppress the protagonist and others. The most common use of unmanned vehicles in fiction has been – like this film – as tools of the antagonists and obstacles.

Drones in Games: Eve Online

Eve Online is a massively multiplayer online game set in the far future. Players pilot space-ships and interact in a universe where almost all aspects of the economy and government are dependent on players, up to and including ponzi schemes and assassinations. Players can also control their own fleet of drones, which can be used […]

Published by the University of Texas Press the book features 100 of Hyman's photographs and six critical essays that depict and discuss the emotional aftermath of the September 11, 2001, attacks -- a time when people from all walks of life created and encountered memorials to those who were murdered. Vernacular art appeared almost everywhere—on walls, trees, playgrounds, vehicles, houses, tombstones, and even on bodies. This outpouring of grief and other acts of remembrance impelled photographer Jonathan Hyman to document and preserve these largely impermanent, spontaneous expressions. This book, a unique archive of 9/11 public memory, is the result of his compiling a collection of 20,000 photographs, along with field notes and personal interviews. For more information about the book or to purchase it, visit the book's page at Amazon or Facebook.

Sramana Majumdar

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