Sramana Majumdar "Violence, Identity and Self-determination:
Narratives of conflict from the Kashmir Valley"
4:15 PM, Monday 18 Nov
Room 239, BYC
Bryn Mawr College
Exposure Index Tired of paper and pencil questionnaires about integration and intergroup contact? Try the new and improved EXPOSURE INDEX (click tab above on this page).
|
This prototype is designed for constant, high-resolution surveying and adjustment of soil properties – a farmer’s Roomba. This design came from a team in New Zealand, providing another indication of the increasingly international character to the unmanned vehicles industry.
The drone industry owes much to the hobbyists and universities who developed much of the technology. Going forward, the industry will owe even more to the hobbyists for creating acceptance and familiarity amongst the wider public. The article mentions the recent story of a man who died in an accident involving his drone helicopter. The […]
While one might argue that a dog would be simpler and just as effective, it’s possible the very oddity of a quadrotor UAV disturbs the geese. However, we once again see the impossibility of predicting all possible applications for unmanned vehicles.
Pruning, fruit picking, and tree management are time consuming tasks heavily dependent on human pattern detection and visual processing. Even though computer systems are notoriously bad at those skills, it has not stopped scientists and engineers from trying to produce a fully automated pruning system.
Germany’s manufacturing industry – already known for high-tech heavy machinery – is well placed to supply this transition to automated agriculture.
|
New book by Asch Associate Director for Conflict and Visual Culture Jonathan Hyman: “The Landscapes of 9/11: A photographer’s Journey” Published by the University of Texas Press the book features 100 of Hyman's photographs and six critical essays that depict and discuss the emotional aftermath of the September 11, 2001, attacks -- a time when people from all walks of life created and encountered memorials to those who were murdered. Vernacular art appeared almost everywhere—on walls, trees, playgrounds, vehicles, houses, tombstones, and even on bodies. This outpouring of grief and other acts of remembrance impelled photographer Jonathan Hyman to document and preserve these largely impermanent, spontaneous expressions. This book, a unique archive of 9/11 public memory, is the result of his compiling a collection of 20,000 photographs, along with field notes and personal interviews. For more information about the book or to purchase it, visit the book's page at Amazon or Facebook.
|