Sramana Majumdar "Violence, Identity and Self-determination:
Narratives of conflict from the Kashmir Valley"
4:15 PM, Monday 18 Nov
Room 239, BYC
Bryn Mawr College
Exposure Index Tired of paper and pencil questionnaires about integration and intergroup contact? Try the new and improved EXPOSURE INDEX (click tab above on this page).
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Since 2011 when U.S. citizen al-Awlaki was killed in a drone strike, various civil rights groups (and family members) have sought to obtain (and challenge) the legal justification for the strike. The issue gained further notoriety in early 2013, when Attorney General Eric Holder refused to rule out a lethal drone strike on U.S. citizens […]
In this article, the New York Times considers possible cultural niches for drones. While the standard fears of safety and privacy are mentioned, it is noteworthy that the focus is on how drones will be used in day-to-day life, instead of just if such integration is possible or even desirable.
While drones may be exploding onto the world consciousness at the present time, the idea is surprisingly old, with autonomous torpedos, mobile anti-tank mines, and also these jet-powered surveillance drones from the 1970s. Unable to land properly, the Tu-141 carries a parachute system instead. It does, however, manage to have a top speed more than […]
This is more than merely another “police obtaining drones” article. The drones the LAPD received are being given away because the citizens of Seattle refused to let their police force use them. It remains to be seen whether Los Angelos will also reject their use. It is also noteworthy that the LAPD, avoided the word […]
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New book by Asch Associate Director for Conflict and Visual Culture Jonathan Hyman: “The Landscapes of 9/11: A photographer’s Journey” Published by the University of Texas Press the book features 100 of Hyman's photographs and six critical essays that depict and discuss the emotional aftermath of the September 11, 2001, attacks -- a time when people from all walks of life created and encountered memorials to those who were murdered. Vernacular art appeared almost everywhere—on walls, trees, playgrounds, vehicles, houses, tombstones, and even on bodies. This outpouring of grief and other acts of remembrance impelled photographer Jonathan Hyman to document and preserve these largely impermanent, spontaneous expressions. This book, a unique archive of 9/11 public memory, is the result of his compiling a collection of 20,000 photographs, along with field notes and personal interviews. For more information about the book or to purchase it, visit the book's page at Amazon or Facebook. |
