Sramana Majumdar "Violence, Identity and Self-determination:
Narratives of conflict from the Kashmir Valley"
4:15 PM, Monday 18 Nov
Room 239, BYC
Bryn Mawr College
Exposure Index Tired of paper and pencil questionnaires about integration and intergroup contact? Try the new and improved EXPOSURE INDEX (click tab above on this page).
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Kurt Schock (Associate Professor of Sociology, Rutgers University) Monday, November 24, 2008, 4:30 p.m.
Scheuer Room Kohlberg Hall Swarthmore College
Prof. Kurt Schock <http://andromeda.rutgers.edu/%7Esocant/kurt.htm> is author of /Unarmed Insurrections: People Power Movements in Nondemocracies/ (University of Minnesota Press). “He is currently researching land reform and land rights movements in the global south. He is examining […]
Haverford College is seeking a faculty member at the rank of advanced assistant professor or above for a tenure-track position in Peace, Justice, and Human Rights/Peace and Conflict Studies (PJHR/PCS) to start in the fall of 2009. Applicants must have a Ph.D. in a social science discipline with an area studies focus and a proven […]
Roger Petersen, MIT
Many ongoing conflicts, especially those involving Western intervention, can be characterized in terms of a type of “game” with a fairly stable set of actors, preferences, and rules. At certain junctures, actors use emotions to change the set of actors, reshape preferences, and alter the rules. Actors […]
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New book by Asch Associate Director for Conflict and Visual Culture Jonathan Hyman: “The Landscapes of 9/11: A photographer’s Journey” Published by the University of Texas Press the book features 100 of Hyman's photographs and six critical essays that depict and discuss the emotional aftermath of the September 11, 2001, attacks -- a time when people from all walks of life created and encountered memorials to those who were murdered. Vernacular art appeared almost everywhere—on walls, trees, playgrounds, vehicles, houses, tombstones, and even on bodies. This outpouring of grief and other acts of remembrance impelled photographer Jonathan Hyman to document and preserve these largely impermanent, spontaneous expressions. This book, a unique archive of 9/11 public memory, is the result of his compiling a collection of 20,000 photographs, along with field notes and personal interviews. For more information about the book or to purchase it, visit the book's page at Amazon or Facebook. |
