2012-2013 ASCH SEMINARS CANCELLED--TO BE RESCHEDULED
Monday 22 October 2012
"Helping Refugees and Displaced:
A Practitioner's View"
SHEPPIE GLASS ABRAMOWITZ BMC '57
BMC Bettws-y-coed 106
Campus Map
Monday 8 October 2012
"Eye-witness Reports of Collective Damage:
Using Social Psychology to Describe the Impacts
of Violence in Colombia"
ARACELI GARCIA DEL SOTO
Center for Peace and Global Citizenship
BMC Bettws-y-coed 127
Campus Map

Monday 27 Feb 2012 4:15pm
"The Arab Spring in Syria:
Current Conflict and Future Scenarios"
MOSHE MAOZ
Professor (Emeritus) of Islamic and Middle Eastern
Studies, Hebrew University, Jerusalem, Israel
BMC Bettws-y-coed 239
Campus Map
Monday 20 Feb 2012 4:15pm
"Introducing the United States Extremist Crime
Database (ECDB)"
JOSHUA FREILICH
Professor and Acting Executive Officer of the PhD Program in Criminal Justice, John Jay College, City Univ of NY
BMC Carpenter 21
Campus Map
Monday 30 Jan 2012 4:15pm
"Narrative and Reconciliation in
the Karabakh Conflict"
RAUF GARAGOZOV
Leading Research Fellow
Center for Strategic Studies
Baku, Azerbaijan
BMC Carpenter 21
Exposure Index Tired of paper and pencil questionnaires about integration and intergroup contact? Try the new and improved EXPOSURE INDEX (click tab above on this page).
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An interview with Boris Berezovsky explores the political uses of ethnopolitical conflict in Russia. The dynamics referred to in the interview are interesting whatever you think about its accuracy. The interview was translated from Russian by Sophia Moskalenko; translator’s notes appear in brackets. Freedom Radio is a private non-profit news media financed by the U.S. Congress. It transmits to over twenty countries of Eastern and Southeastern Europe, the Caucus, and Central Asia. [...]
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CONFLICT AND VISUAL CULTURE PROJECT Click on any link to visit the artist's online gallery.
Elena Papanikolakis The Drone dream series is my first body of work using photographs together with mixed media. My aim is to create collages that evoke a dream-like acceptance of a scene that is resolved, yet uneasy. Using an interchanging creative process that relies on drone/automation, dream/randomness and moments of lucidity where key decisions are made, I cultivate the difference between what is concrete and what is in the mind. Drone/automation can infiltrate the creative process until a point when the artist/remote-controller takes over. Dream/randomness reflects the collision of imagery and sensory experiences in the mind, and an aesthetic that hinges on impossibility.








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